"Junkanoo
is a Bahamian festival that occurs during the dark hours of morning
on the 26th of December and again bringing in its first hours of
light on the first day of the new year. Thousands dance through Bay
Street, Nassau's town center, like a wild ocean of colour, while
deep goat skin rhythms reverberate off the surrounding walls and cow
bells chatter over the singing of brass horns. The sidewalk like a
snake comes to life twisting blacks and browns while balconies and
roof tops sway under the rhythmic feet of onlookers.There is a
timeless sense, a feeling inside that is so vital that even the deaf
feel to move. And as though possessed, these God-like cardboard
sculptures dive and rise to the awesome music that lifts their
spirits beyond the flesh." (courtesy - c2000 M. Govan & E. Robinson)
To experience Bahamian culture and art, you should make plans to
attend Junkanoo. The Bahamian festival of Junkanoo is an energetic,
colourful parade of brightly costumed people gyrating and dancing to
the rhythmic accompaniment of cowbells, drums and whistles. The
celebration occurs on December 26 and January 1 -- beginning in the
early hours of the morning (2:00 a.m.) and ending at dawn.
Junkanoo is reminiscent of New Orleans' Mardi Gras and Rio de
Janeiro's Carnival, but it is distinctly Bahamian and exists nowhere
else. Parade participants -- arranged in groups of up to 1,000 --
are organised around a particular theme. Their costumes, dance and
music reflect this theme. At the end of the Junkanoo procession,
judges award cash prizes. The three main categories for the awards
are: best music, best costume and best overall group presentation.
The most spectacular Junkanoo parade occurs in Nassau. However, you
can also experience it on Grand Bahama, Eleuthera, Bimini and Abaco.
It's held on Boxing Day (December 26) and New Year's Day (January 1)
from 2:00 a.m. until 8:00 a.m.
If you wish to experience the cultural festival of Junkanoo, plan
ahead and arrive early. In Nassau, some of the best views are
upstairs on Bay Street, or on the street-side bench seats, which you
may reserve in advance.
Junkanoo History
Junkanoo first began as a temporary celebration of freedom for
slaves who were given three days off at Christmas time. Donning
scary-looking masks, slaves played homemade musical instruments
(drums and bells) and cavorted about freely on the island.
The origin of the word "Junkanoo" is unknown. The most popular
belief is that it's derived from "John Canoe," an African tribal
chief who demanded he be allowed the right to celebrate with his
people even after he was brought to the West Indies as a slave.
Others believe the name is from the French "gens inconnus," which
means "the unknown people" and refers to people wearing disguises
and thus being unknown.
Junkanoo's roots can be traced to West Africa. In fact, other areas
in the region that practised slavery -- like Bermuda and Jamaica --
had their own versions of John Canoe parades.
Junkanoo probably began in the 16th or 17th century. Around
Christmas, Bahamian slaves were given a few days off. This allowed
them to leave the plantations to be with their families and to
celebrate the holiday with music, dance and costumes. In the early
years, Junkanoo participants wore grotesque masks and walked on
stilts. They were allowed to move around anonymously and let off
steam.
After slavery was abolished, Junkanoo almost disappeared, but a few
islanders kept the tradition going. Over time, Junkanoo's popularity
has waxed and waned. Today, it is a joyous celebration of freedom.
It is an important part of the Christmas season, and The Islands Of
The Bahamas is the only country where you can experience it.
Costumes
As
Junkanoo traditions have evolved, so, too, have the costumes. Sea
sponges, leaves, fabric and shredded paper have at one time or
another played their part in costume construction.
Costumes today are made out of crepe paper that is meticulously
glued to fabric, cardboard or wood. They usually consist of a
headdress, shoulder piece and skirt, which are elaborate and
brilliantly coloured. Group members make their own costumes and it
may take them up to a year to complete the intricate creations.
Costume design is tied to a theme and is a carefully guarded secret.
Themes vary greatly -- they can be contemporary, based on the past
or anything the group chooses.
Junkanoo costumes that may have once been discarded as rubbish after
the parade, are now being preserved for posterity. The winning
creations are placed in the Junkanoo Museum, formerly located in
downtown Nassau at the Prince George Wharf. The museum is
temporarily closed, because it is being relocated.
Junkanoo Groups
Junkanoo participants that you see rushin' down the street are
members of well-organised groups. These people work together year
after year to make Junkanoo the exhilarating experience it is.
The Junkanoo festival is a community-wide effort. Families,
friends and neighbours gather within groups -- usually from 500 to
1,000 members -- who perform together at the parade.
Competition among groups is fierce, so members choose a theme and
keep it a secret until the day of Junkanoo. They spend months
preparing for the event at their "base camp," or "shack" as they
call it. The dancers work on choreography, the musicians practice
music and the costumers work on their creations.
In Nassau, Junkanoo groups go by such colourful names as "Valley
Boys," "Saxons," "One Family," "Vikings," "Roots" and "Fancy
Dancers."
Music
Distinctively Bahamian, the music you hear at Junkanoo today is very
much as it has always been. Rhythmic goombay drums, copper bells and
mouth whistles soon sweep you up in the Junkanoo beat.
Music is the most important part of Junkanoo. The rhythmic sounds of
goatskin drums, cowbells and whistles -- accompanied by a separate
brass section -- create an infectious beat that’s too strong to
resist!
Slaves, who originally made their musical instruments from cast-off
items, fashioned rum or food containers into drums and scrap metal
into bells. Today’s musicians use similar methods. Like their
ancestors, they stretch goatskin across the drum opening and "tune"
it by burning a candle under the skin to tighten it to the right
pitch.
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